It Is Daylight

Arda Collins; Foreword by Louise Glück

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April 7, 2009
112 pages, 6 x 8 1/4
ISBN: 9780300148886
Paper

Also available in:
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Arda Collins is the 2008 winner of the annual Yale Series of Younger Poets competition. Mesmerizing and electric, her poems seem to be articulated in the privacy of an enclosed space. The poems are concrete and yet metaphysically challenging, both witty and despairing. Collins’ emotional complexity and uncommon range make this debut both thrillingly imaginative and ethical in its uncompromising attention to detail. In her Foreword, contest judge Louise Glück observes, “I know no poet whose sense of fraud, the inflated emptiness that substitutes for feeling, is more acute.” Glück calls Collins’ volume “savage, desolate, brutally ironic . . . a book of astonishing originality and intensity, unprecedented, unrepeatable.”

Arda Collins lives in Denver, where she is pursuing a Ph.D. in poetry. Her poems have been published in journals and magazines including The New Yorker, The American Poetry Review, A Public Space, and others. She is a graduate of the Iowa Writers' Workshop where she was a Glenn Schaeffer Fellow.

 

Snow On The Apples

(excerpt)

 

There was snow on the apples

somewhere.

You’re at home,

it’s getting dark out, rain

makes the cars louder.  Nobody

seems to be driving

the cars.  Someone has arranged

for them to be there going by,

six o’clock.  Someone has made

the sound of air in the room louder.

God? You say, but not aloud.  Since

there is no god, you have to be

both you and god….

“Arda Collins' savage, desolate, brutally ironic first book has the electric excitement of a master performance conducted in a deliberately isolated space, as though isolation were a form of control that promoted fluency... At the heart of the poems' struggle is shame, which results not from something the speaker has done, from action, but rather from being, from what she is or what she lacks. The private closed spaces that protect this speaker from being seen (while paradoxically freeing her to speak) function in other ways, both contextualizing and mirroring a metaphysical claustrophobia:  the bleak fate of being always one person. This is a book of dazzling modernity. . . . Caustic, pithy, ruthlessly sharp witted and keen eyed. . . . Devoid of that taste for rhetorical splendor that turns so easily stodgy. . . . Within its devised constrictions, this voice has the freedom to say anything. The result is a book of astonishing originality and intensity, unprecedented, unrepeatable.”—Louise Glück

"It Is Daylight is one of the most original first books of poetry I have read in years."—Mark Jarman, The Hudson Review
The Cuckoo

Peter Streckfus; Foreword by Louise Glück

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Crush

Richard Siken; Foreword by Louise Gluck

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Green Squall

Jay Hopler; Foreword by Louise Glück

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The Earth in the Attic

Fady Joudah; Foreword by Louise Glück

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Juvenilia

Ken Chen; Foreword by Louise Glück

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Radial Symmetry

Katherine Larson; Foreword by Louise Glück

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Yale Series of Younger Poets
Hermit with Landscape

Daniel Hall; Foreword by James Merrill

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Out of the Woods

Thomas Bolt; Foreword by James Merrill

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Picture Bride

Cathy Song; Foreword by Richard Hugo

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Beginning with O

Olga Broumas; Foreword by Stanley Kunitz

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Natural Histories

Leslie Ullman; Foreword by Richard Hugo

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