Artistic Luxury

Fabergé, Tiffany, Lalique

Stephen Harrison, Emmanuel Ducamp, and Jeannine Falino; With contributions by Christie Mayer Lefkowith, Pilar Vélez, Catheine Walworth, and Wilfried Zeisler

View Inside Price: $75.00


November 25, 2008
372 pages, 9 5/8 x 10 1/2
76 b/w + 408 color illus.
ISBN: 9780300142242
Cloth

Published in association with the Cleveland Museum of Art

Fabergé, Tiffany, Lalique—these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture.

 

The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world.

 

Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry. 

Stephen Harrison is curator of decorative arts at the Cleveland Museum of Art. Emmanuel Ducamp has written and lectured widely on Russian and French decorative arts. Jeannine Falino is an independent curator, formerly the Carolyn and Peter Lynch Curator of Decorative Arts and Sculpture at the Museum of Fine Arts, Boston.


EXHIBITION SCHEDULE

Cleveland Museum of Art (October 19, 2008 – January 19, 2009)

Fine Arts Museums of San Francisco (February 7 – May 31, 2009)

"Four informative essays give first a general picture of luxury in the Belle Epoque, and then place the designers in the social and cultural milieus of the three cities in which they thrived, Moscow, New York, and Paris."—Linda Rosenkrantz, creators.com

“…essays provide fascinating insights into the cultural context that influenced the three men…also casts a retrospective light on the indirect role played by Fabergé and the Easter eggs…in the run-up to the Russian Revolution…Ultimately the book’s glorious photographs allow the objects to speak for themselves.” - Muriel Zagha, World of Interiors

"This catalogue for a Cleveland Museum of Art exhibition provides a sumptuous survey of precious objects sold to the fabulously rich by Fabergé, Lalique, Tiffany & Co., Lewis Comfort Tiffany, and other high-status vendors around 1900. . . . Highly recommended. Lower-level undergraduates through graduate students; general readers."—Choice

“If ‘luscious’ is a word that can be used to describe a book, then this book is luscious.”—Antiques & Collectibles for Pleasure & Profit