From Attila to Charlemagne

Arts of the Early Medieval Period in The Metropolitan Museum of Art

Edited by Katherine R. Brown, Dafydd Kidd, and Charles T. Little

View Inside Price: $240.00


June 25, 2013
432 pages, 9 x 10 1/2
634 illus. (18 in color)
ISBN: 9780300199857
Paper

Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Available only as Print-on-Demand


The arts of the Early Medieval period form a major, yet little-known, part of the material from the Middle Ages in The Metropolitan Museum of Art. Recent research on this fascinating period from approximately A.D. 400 to 800 reveals a more comprehensive picture of what has been traditionally referred to as the Dark Ages or the Migration period. The Museum's holdings in this area, the subject of a symposium and of new studies by leading European and American specialists, demonstrate the exceptional richness of material bridging Antiquity and the Middle Ages. The twenty-six essays in this volume provide the first in-depth study of this American repository of arts representing the many cultures and peoples that created early Europe, including the Ostrogoths, the Langobards, the Franks, and the Anglo-Saxons. The products of this great age of "portable art" range from elaborate weapon fittings and ornate buckles to gold brooches and other intricately designed and decorated jewelry. Over six hundred black-and-white photographs and eighteen color plates dramatically testify to the depth, breadth, and beauty of the Museum's Early Medieval collection. Of interest to both scholars and laymen, this publication coincides with the opening of the Museum's new galleries devoted to the arts of Byzantium and the Early Medieval period.


From Attila to Charlemagne: Arts of the Early Medieval Period in The Metropolitan Museum of Art also inaugurates a series of symposium volumes. These volumes will present the results of symposia at which scholars in the relevant fields assess aspects of the Metropolitan's collections. [This book was originally published in 2000 and has gone out of print. This edition is a print-on-demand version of the original book.]

With contributions by William D. Wixom, Katherine R. Brown, Francoise Vallet, Elke Nieveler, Andrew Oliver, Barbara Deppert-Lippitz, Horst Bohme, Volker Bierbrauer, Inciser G. Damm, Wilfried Menghin, Lidia Paroli, Otto Prinz von Hessen, Eva Garam, Csanad Balint, Gisela R. Lopez, Birgit Arrhenius, Max Martin, Patrick Perin, Vera I. Evison, John Hines, Helmut Roth, Jan P. Lamm, and Victor H. Elbern.

The Cloisters Cross
Its Art and Meaning

Elizabeth C. Parker and Charles T. Little

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Migration Art, A.D. 300-800

Katharine Reynolds Brown

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Set in Stone
The Face in Medieval Sculpture

Edited by Charles T.

...
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The Glory of Byzantium
Art and Culture of the Middle Byzantine Era, A.D. 843–1261

Edited by Helen C. Evans and William D. Wixom

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