China
Through the Looking Glass
Andrew Bolton; With John Galliano, Adam Geczy, Maxwell K. Hearn, Homay King, Harold Koda, Mei Mei Rado, and Wong Kar Wai, and photography by Platon
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A lavish exploration of the evocative and complex fashions inspired by Chinese culture
For centuries, China’s export arts—jade, silks, porcelains, and, more recently, cinema—have fueled Western fantasies of an exotic East and served as enduring sources of inspiration for fashion. This stunning publication, which accompanied one of the most successful exhibitions in The Metropolitan Museum of Art's history, explores the influence of Chinese aesthetics on designers, including Giorgio Armani, Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Ralph Lauren, Alexander McQueen, and Yves Saint Laurent. Drawing upon Chinese decorative arts, cinema, and costume—notably imperial court robes, the close-fitting cheongsam, and the unisex Mao suit—their designs are fantastical pastiches of anachronistic motifs. As in the game of “telephone,” the process of cultural translation transforms the source material into ingeniously original fashions that are products solely of the designers’ imaginations.
In a similar way, contemporary Chinese film directors render fanciful, highly stylized evocations of various epochs in China’s history—demonstrating that China’s imagery is equally seductive to artists in the East and further inspiring today’s designers. Juxtaposing modern fashions and film stills with their forebears in fine and decorative arts and historical dress, this book reveals the rich and ongoing creative dialogue between East and West, past and present.
For centuries, China’s export arts—jade, silks, porcelains, and, more recently, cinema—have fueled Western fantasies of an exotic East and served as enduring sources of inspiration for fashion. This stunning publication, which accompanied one of the most successful exhibitions in The Metropolitan Museum of Art's history, explores the influence of Chinese aesthetics on designers, including Giorgio Armani, Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Ralph Lauren, Alexander McQueen, and Yves Saint Laurent. Drawing upon Chinese decorative arts, cinema, and costume—notably imperial court robes, the close-fitting cheongsam, and the unisex Mao suit—their designs are fantastical pastiches of anachronistic motifs. As in the game of “telephone,” the process of cultural translation transforms the source material into ingeniously original fashions that are products solely of the designers’ imaginations.
In a similar way, contemporary Chinese film directors render fanciful, highly stylized evocations of various epochs in China’s history—demonstrating that China’s imagery is equally seductive to artists in the East and further inspiring today’s designers. Juxtaposing modern fashions and film stills with their forebears in fine and decorative arts and historical dress, this book reveals the rich and ongoing creative dialogue between East and West, past and present.
Andrew Bolton is curator in the Costume Institute, The Metropolitan Museum of Art.
EXHIBITION SCHEDULE
The Metropolitan Museum of Art
(05/07/15–08/16/15)
"In the sensual Costume Institute catalogue. . . . Bolton's depoliticized take on the exchange between East and West in his introduction sets the tone for a volume that is an exuberant triumph of style over substance, complete with a red, silklike cloth cover stamped with gold foil. Inside, elaborate Western couture, art, and films spanning several centuries conjure a fantastic vision of China."—Christopher Lyon, Bookforum
ISBN: 9780300211122
Publication Date: May 26, 2015
Publishing Partner: Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Publication Date: May 26, 2015
Publishing Partner: Published by The Metropolitan Museum of Art/Distributed by Yale University Press
256 pages, 9 1/4 x 11
231 color illus.
231 color illus.
ADDITIONAL MATERIALS
