Murillo

The Self-Portraits

Xavier F. Salomon and Letizia Treves; With essays by María Álvarez-Garcillán, Silvia A. Centeno, Jaime García-Máiquez, Larry Keith, Dorothy Mahon, and Nicole Ryder

View Inside Price: $40.00


October 31, 2017
144 pages, 9 1/2 x 11 7/8
65 color illus.
ISBN: 9780300225686
HC - Paper over Board

Published in association with The Frick Collection

This beautiful publication accompanies an exhibition that brings together the only two known self-portraits by Bartolomé Estebán Murillo (1617–1682), one of the finest painters of the Spanish Golden Age. Painted almost twenty years apart, these two remarkable paintings are often overshadowed by Murillo’s more famous religious paintings and genre scenes.  This book investigates the two self-portraits side by side, highlighting similarities and differences. While the earlier portrait reflects Murillo’s admiration of antiquity and imitation of classical models, the later one shows a confident, mature artist who was at that time the leading painter in Seville. In addition, the book discusses recent technical analysis, offering a better understanding of how these self-portraits were painted, and provides a rare opportunity to compare how one of the most celebrated and influential European painters chose to represent himself at different stages of his exceptional career.

Xavier F. Salomon is the Peter Jay Sharp Chief Curator at The Frick Collection. Letizia Treves is curator of later Italian, Spanish, and French 17th-century paintings at the National Gallery, London.
 

EXHIBITION SCHEDULE

The Frick Collection, New York
(10/31/17–02/04/18)

The National Gallery, London
(02/28/18–05/21/18)

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Edited by Julia Siemon; With essays by Ellenor Alcorn, Mary

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