After the Circus

“Mr. Modiano’s novels are pervaded by a sexual and moral ambivalence and by social and political ambiguity. Improbable aristocrats, likeable eccentrics, would-be actresses, circus performers and cabaret workers—no one is ever who they appear to be. And Paris features as a character in her own right, refusing to surrender the secrets of her past.”—The Economist

“A timely glimpse at [Modiano’s] fixations. . . . In Mark Polizzotti’s spare and elegant translation, the writing conveys a sense of dreamy unease in which the real, the hypothesized, and the half-forgotten blend into a shimmering vagueness.”—Sam Sacks, Wall Street Journal

“Elegant . . . quietly unpretentious, approachable. . . . Though enigmatic and open-ended, Modiano’s remembrances of things past and his probings of personal identity are presented with a surprisingly light touch. He is, all in all, quite an endearing Nobelist.”—Michael Dirda, Washington Post

“Mr. Modiano writes clear, languid, and urbane sentences in Mr. Polizzotti’s agile translation. . . . These novellas have a mood. They cast a spell.”—Dwight Garner, New York Times

“[After the Circus] transposes Modiano’s favorite themes into a taut, hard-boiled crime story. . . . Modiano is writing metaphysical mystery stories, in which the search for answers is never afforded an easy solution. The more of Modiano’s work you read, the more familiar and inevitable his peculiar set of obsessions starts to feel—which is one sign of a major writer.”—Adam Kirsch, Daily Beast

“This brief, polished, ultimately poignant story is classic Modiano . . . superbly lean . . . moody, even noir . . . smart and strangely moving. . . . Modiano at his best.”—Barbara Hoffert, Library Journal (starred review)

“After the Circus is a little masterpiece in the French minimalist and ironic noir tradition, reminiscent of Godard’s Breathless or Truffaut’s Shoot the Piano Player.”—Colin Nettelbeck, Australian Book Review

“Powerful.”—Michael Autrey, Booklist

“[After the Circus] is at once elliptical and concise, diffuse in possibility and economical in facts. . . . We gather feeling, moments of being, in the Woolfian sense, intimations of life’s essential sadness, which is sometimes gentle and sometimes furious.”—Yevgeniya Traps, Forward

“The sense of menace is masterfully managed by Modiano in this expertly-paced novel. . . . The love story, too, is beautifully done. . . . After the Circus is, ultimately, a bona fide—and first rate—thriller. Completely low-key and understated . . . yet so effectively creepy, perfectly devastating—and heartbreaking.”—M. A. Orthofer, Complete Review