Versions and Inversions

Perspectives on Avant-Garde Art in Latin America

Edited by Héctor Olea and Mari Carmen Ramírez; With contributions by Peter C. Marzio, Gabriel Peluffo Linari, Andrea Giunta, Luis Camnitzer, Lucy R. Lippard, Sonia Salzstein, Terry Smith, and Robert Storr

View Inside Price: $40.00


December 28, 2006
303 pages, 5 1/2 x 8 1/2
21 b/w + 79 color illus.
ISBN: 9780300116526
Paperback with CDROM

Distributed for the Museum of Fine Arts, Houston

In 2004, the Museum of Fine Arts, Houston, presented Inverted Utopias, a critically acclaimed exhibition focusing on the development of avant-garde art in Latin America from 1920 to 1970. At the time of the exhibition, a major symposium was held at the museum. This handsome book brings together texts and commentary by leading art historians and critics who participated in the event. A wide range of topics is covered, including the avant-garde in America and Europe, Argentine art in the 1960s, Latin American Conceptualism, and Brazilian art trends of the 1950s. Beautiful and important works by such various artists as Gego, Lygia Clark, Mia Schendel, and Eva Hesse are featured, and a CD-Rom of the exhibition accompanies the book. 
As an outgrowth of and complement to Inverted Utopias, this book expands the framework for understanding the complex contributions of Latin American artists to 20th-century art.

Héctor Olea is an independent scholar and curator specializing in Latin American modern art. Mari Carmen Ramírez is the Wortham Curator of Latin American Art and director of the International Center for the Arts of the Americas at The Museum of Fine Arts, Houston.

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