Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837–38)—a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario—the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire.
Distributed for the Yale Center for British Art
Yale Center for British Art, New Haven (27 September – December 30, 2007)
Tim Barringer is Paul Mellon Professor of the History of Art, Yale University. Gillian Forrester is Associate Curator of Prints and Drawings, Yale Center for British Art. Barbaro Martinez Ruiz is Assistant Professor of Art and Art History, Stanford University.
“. . . an ambitious research volume . . . [A]n impressive feat of academic research and critical inquiry into areas of English, Jewish and Afro-American heritage, almost unheard of in mainstream narratives on the history of slavery and the Atlantic world.” —Temi-Tope C. Odumodu, Print Quarterly
~Temi-Tope C. Odumodu, Print Quarterly
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