Resisting Categories: Latin American and/or Latino?

Volume 1

Mari Carmen Ramírez, Héctor Olea, and Tomás Ybarra-Frausto

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This first volume of the Critical Documents of 20th-Century Latin American and Latino Art series published by the International Center for the Arts of the Americas at the Museum of Fine Arts, Houston, presents 168 crucial texts written by influential artists, critics, curators, journalists, and intellectuals whose writings shed light on questions relating to what it means to be "Latin American" and/or "Latino."

Reinforced within a critical framework, the documents address converging issues, including: the construct of "Latin-ness" itself; the persistent longing for a continental identity; notions of Pan–Latin Americanism; the emergence of collections and exhibitions devoted specifically to "Latin American” or "Latino" art; and multicultural critiques of Latin American and Latino essentialism. The selected documents, many of which have never before been published in English, span from the late fifteenth century to the present day. They encompass key protagonists of this comprehensive history as well as unfamiliar figures, revealing previously unknown facets of the questions and issues at play. The book series complements the thousands of seminal documents now available through the ICAA Documents of 20th-Century Latin American and Latino Art digital archive, http://icaadocs.mfah.org. Together they establish a much-needed intellectual foundation for the exhibition, collection, and interpretation of art produced in Latin America and among Latino populations in the United States.

Mari Carmen Ramírez is the Wortham Curator of Latin American Art and director of the International Center for the Arts of the Americas at The Museum of Fine Arts, Houston. Héctor Olea is an independent scholar and curator specializing in Latin American modern art. Tomás Ybarra-Frausto was the associate director for creativity and culture at the Rockefeller Foundation in New York.
ISBN: 9780300146974
Publication Date: April 24, 2012
Co-publisher: Distributed for the Museum of Fine Arts, Houston
1200 pages, 5 1/2 x 8 1/2
8 color illus.
Versions and Inversions

Perspectives on Avant-Garde Art in Latin America

Edited by Héctor Olea and Mari Carmen Ramírez; With contrib

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Caribbean

Art at the Crossroads of the World

Edited by Deborah Cullen and Elvis Fuentes

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Contesting Modernity

Informalism in Venezuela, 1955–1975

Mari Carmen Ramírez and Tahía Rivero; With Maria G.

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Allora & Calzadilla Specters of Noon

Michelle White and Roberto Tejada; With contributions by Ju

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