Imprinting the Divine

Byzantine and Russian Icons from The Menil Collection

Edited by Annemarie Weyl Carr; With contributions by Annemarie Weyl Carr, Bertrand Davezac, and Clare Elliott

View Inside Price: $50.00


November 29, 2011
168 pages, 9 1/2 x 11 1/4
85 color illus.
ISBN: 9780300169683
Cloth

Distributed for The Menil Collection

The Menil's collection of Byzantine and related icons is widely regarded as one of the most important in the United States. Comprising more than sixty works, many acquired by Dominique de Menil in 1985 from the noted British collector Eric Bradley, the group spans twelve hundred years, from the sixth to the eighteenth centuries, and encompasses a number of distinct cultures, including Greek, Balkan, and Russian. In this volume, the first publication to survey this diverse collection, leading scholars explore the history and meaning of these remarkable works, and their continuing power to surprise and impress. 

Orthodox Christianity developed in the Near East during the Byzantine Empire, in time yielding eleven autocephalous communions of which the Greek, Russian, Romanian, Serbian, and Bulgarian Orthodox churches are the largest today. Each maintained the tradition of icon painting rooted in Byzantium but inflected it in distinctive ways. Transcending time and place through a delicate balance of tradition and innovation, these images of saintly or divine figures were designed to imprint their holy subjects on the human mind. Though largely dismissed as backward by Renaissance and Enlightenment Europeans, icons captured the imagination of early modernist painters, and contemporary audiences appreciate them as aesthetic objects.

Annemarie Weyl Carr is a university distinguished professor emerita of art history at Southern Methodist University. Bertrand Davezac is a former curator at the Menil Collection. Clare Elliott is assistant curator at the Menil Collection.

EXHIBITION SCHEDULE

The Menil Collection
(10/21/11-03/04/12)

Robert Rauschenberg
Cardboards and Related Pieces

Yve-Alain Bois; With an introduction by Josef Helfenstein a

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Walter De Maria
Trilogies

Edited by Josef Helfenstien; With contributions by Clare El

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Forrest Bess
Seeing Things Invisible

Clare Elliott; With a contribution by Robert Gober

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Portraits
Luc Tuymans

Essays by Toby Kamps and Robert Storr; With contributions b

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Apparitions
Frottages and Rubbings from 1860 to Now

Allegra Pesenti; With contributions by Leslie Cozzi and Cla

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Picasso The Line

Carmen Giménez; With contributions by David Breslin and Cla

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