In the first decades of the twentieth century, rural populations throughout Europe changed the language they used in everyday life, abandoning their traditional vernaculars—such as French patois, local Italian dialects, and the Irish language—in favor of major metropolitan languages such as French, Italian, and English. .
In this book, Barry McCrea argues that the sudden linguistic homogenization of the European countryside was a key impulse in the development of literary modernism. The decline of rural vernaculars caused these languages to become the objects of powerful longings and projections. Seán Ó Ríordáin in Ireland and Pier Paolo Pasolini in Italy reshaped minor languages for use as private idioms of poetry; the revivalist idealization of Irish as a lost utopian language deeply affected the work of James Joyce; the disappearing dialects of northern France seemed to Marcel Proust to offer an escape from time itself.
Drawing on a broad range of linguistic and cultural examples to present a major reevaluation of the sources and meanings of European literary modernism, Barry McCrea shows how metropolitan literary culture was fundamentally shaped by the vanishing vernaculars of the European countryside.
Barry McCrea is the Keough Family Chair of English, Comparative Literature and Irish Studies at the University of Notre Dame and teaches at the university’s campuses in Indiana, Dublin, and Rome. He is the author of the novel The First Verse, which won the 2006 Ferro-Grumley prize for fiction, and In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust.
“[A] wonderfully illuminating new study of the relationship between minority languages and modernism.”—Fintan O’Toole, The New York Review of Books
~Fintan O’Toole, The New York Review of Books
Winner of the 2016 René Wellek prize sponsored by the American Comparative Literature Associaiton.
~Rene Wellek, American Comparative Literature Association
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