Gothic Wonder

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Art, Artifice, and the Decorated Style, 1290–1350

Paul Binski

View Inside Format: Cloth
Price: $50.00
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In this wide-ranging, eloquent book, Paul Binski sheds new light on one of the greatest periods of English art and architecture, offering ground-breaking arguments about the role of invention and the powers of Gothic art.  His richly documented study locates what became known as the Decorated Style within patterns of commissioning, designing, and imagining whose origins lay in pre-Gothic art.  By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period.  The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality.  His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Generously illustrated with hundreds of images, Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.
Paul Binski is professor of the history of medieval art, Cambridge University.


“The book does indeed fulfill the promise of its title, setting the decorated style of English Gothic architecture within the context of a wide-ranging exploration of the role of art in the Middle Ages.”—Stephen Murray, Speculum

“Binski’s integrated readings of buildings are significant not only for Decorated buildings, but also serve as models for architectural history in general . . . convincingly presented.”—Malcolm Thurlby, Renaissance Quarterly

Winner of the 2015 Historians of British Art Book Prize for a single-author work relating to a period before 1800.
ISBN: 9780300204001
Publication Date: December 9, 2014
Publishing Partner: Published for the Paul Mellon Centre for Studies in British Art
452 pages, 8 1/2 x 11
140 color + 175 b/w illus.
Becket’s Crown

Art and Imagination in Gothic England 1170-1300

Paul Binski

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