This remarkable book, one of a two-volume set, discusses the impact of Rome on American artists and writers from the earliest days of the new republic. Vance presents examples of American painting, sculpture, and writings of many different kinds (novels, poetry, travel books, letters, cultural commentary, journalism) that have been inspired by American encounters with Roman places and people over the course of two centuries.
In this volume, Vance begins by examining the three foremost Roman Catholic symbols: the bambino, the madonna, and the pope. He traces for the first time the evolution of American writing on popes from the late eighteenth century to the election of Pope John Paul II, including fictional depictions of an American pope. Then, he explores the predominantly negative American reaction to Catholic baroque sculpture and architecture in the nineteenth century.
In the section on contemporary Rome, the author addresses American attitudes toward Rome’s earliest attempts at democratization, toward its aristocratic social structures, and toward the political changes that occurred after World War II.