Giorgio de Chirico and the Metaphysical City

"Friedrich Nietzsche's influence on modernist art and poetry was as vast as it was profound. And no painter owed Nietzsche more than Giorgio de Chirico - reason enough for art historians and philosophers to turn to Ara H. Merjian's thought-provoking study: a reconsideration of painter and philosopher alike, a rethinking of the enigmatic being of time and of architecture." -- Karsten Harries, Yale University

"Ara H. Merjian's book offers an original and highly nuanced reading of Giorgio de Chirico's Nietzschean approach to the representation of the Metaphysical City and its enigmatic objects, focusing especially on the key year 1914. Drawing on a rich reservoir of visual sources and texts, Merjian casts new light on paintings that have thus far resisted interpretation, while heightening our sense of their purposeful ambiguity. Engaging and beautifully written, this book will be essential to anyone interested in the prewar avant-gardes and their ambivalent relation to both the archaic past and the post-humanist future." -- Christine Poggi, University of Pennsylvania

"Ara H. Merjian's 'Giorgio de Chirico and the Metaphysical City' is a work of genuine exegetical brilliance and deep learning. Whether from the standpoint of its overall reading of de Chirico in a Nietzschean key or its richly textured account of the artist's pictorial practice, it reshapes our understanding of de Chirico's architectural imaginings in ways that are at once compelling and original." -- Jeffrey T. Schnapp, Harvard University