Radical Form

“Sullivan’s close reading, contextual sensitivity and sidestepping of grand simplifying narratives make this book an extremely valuable addition to the growing literature on art from regions outside the classic mainstream.”—Gabriel Pérez-Barreiro, Art Newspaper

“With careful detail and visual analysis . . . Sullivan moves meticulously through the artistic evolution of her four case studies: Uruguayan Joaquín Torres-García, Argentinean Tomás Maldonado, Venezuelan Alejandro Otero, and Brazilian Lygia Clark.”—Mariola V. Alvarez, Latin American and Latinx Visual Culture

“Beautifully constructed and convincingly argued, this book fills an important gap in published literature and will have a great impact on how scholars and students study Latin American modernism.”—Harper Montgomery, author of The Mobility of Modernism: Art and Criticism in 1920s Latin America

“Radical Form is original and certainly very intelligent. It makes an important contribution to the field of Latin American art history.”—Abigail McEwen, author of Revolutionary Horizons: Art and Polemics in 1950s Cuba