Shakespeare in Bloomsbury

“The subject of how different eras engage with Shakespeare is a juicy one, and an excellent choice for Marjorie Garber . . . [who] in the most expansive and delightful way possible . . . propel[s] readers through a lively inventory of the playwright’s imprints on Bloomsbury’s lives and works.”—Donna Rifkind, Wall Street Journal

“[A] revelatory book.”—Kathryn Hughes, Sunday Times

“A spirited dance of minds. . . . [Garber] places Shakespeare and Woolf in passionate conversation with each other, separated by centuries but joined at the hip. . . . The beautiful minds of Shakespeare and Woolf are joined by a third, belonging to Garber . . . [whose] love of language and of her subject, and her ability to render that love contagious, is enough to make you want to devour the works of the playwright, the novelist, and the critic together in one fell swoop.”—Chris Vognar, Boston Globe

“Marjorie Garber’s book is a delight to read. Beautifully written, it is also beautifully presented, with fascinating photographs. . . . Shakespeare in Bloomsbury is a constant source of illumination.”—Gabriel Josipovici, Times Literary Supplement

“There is something elegiac about Garber’s study when one realises that Shakespeare is now not in the forefront of people’s minds. . . . Garber’s study is very full . . . and covers a good deal of ground.”—Bernard Richards, Oxford Magazine

“[Garber] succeeds in highlighting the diverse ways in which a brilliant group of thinkers made use of Shakespeare’s oeuvre. . . . A worthy testament to the Bard of Avon’s ubiquitous influence.”—Publishers Weekly

“The latest inventive work by Marjorie Garber. . . . Excavating not only published works but letters and diaries, Garber has found an ocean of rich language in which to frolic.”—Harvard Magazine

“Eloquent, sensitive to nuance, committed to civilized personal friendship and immersed in Shakespeare, Marjorie Garber might herself be considered a latter-day member of the Bloomsbury Group. This scintillating account of their engagement with Shakespeare radiates all that was most valuable about the Bloomsbury ethos.”—Michael Dobson, director, Shakespeare Institute

“Marjorie Garber’s brilliant book shows that Shakespeare should be considered a part of the Bloomsbury Group and a part of the invention of modernity. He was their contemporary because he truly was their companion, not roughly dragged into their present to preserve their needs, but the very medium of their thought and their creativity.”—David Scott Kastan, author of On Color

“With great intelligence and warmth, Garber paints a richly detailed, immensely appealing, often dazzling portrait of Bloomsbury’s Shakespeare as a figure omnipresent in the lives and hearts of a remarkable group of artists and thinkers. In their private diaries and letters, in their conversations, in the poetry they read, either silently or aloud, in plays they read and performed with such pleasure, but most of all in their writings and paintings, he appears as a touchstone for all they revered, indeed loved, an indispensable standard to measure themselves against.”—Maria DiBattista, author of Imagining Virginia Woolf

“The highly literary nature of these friends meant on the whole that they preferred reading Shakespeare to hearing his plays performed. It was his words that mattered, as Marjorie Garber shows in this hugely enjoyable book, as she moves swiftly, through the complex history of Bloomsbury, showing how Shakespeare infiltrated their lives, thoughts, and discussions about art and literature.”—Frances Spalding, author of The Bloomsbury Group