ART / History / Romanticism

Myth and Menagerie

Seeing Lions in the Nineteenth Century

by Katie Hornstein

French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard

Highlights from the Collection of the Harvard Art Museums

by Alvin L. Clark

Introduction by Edouard Kopp

Promenades on Paper

Eighteenth-Century French Drawings from the Bibliotheque nationale de France

Edited by Esther Bell, Sarah Grandin, Corinne Le Bitouze and Anne Leonard

Contributions by Charlotte Guichard, Meredith Martin and Pauline Chougnet

The Radical Vision of Edward Burne-Jones

by Andrea Wolk Rager

William Blake's Printed Paintings

Methods, Origins, Meanings

by Joseph Viscomi

Worlds Beyond

Miniatures and Victorian Fiction

by Laura Forsberg

Gainsborough in London

by Susan Sloman

Joseph Wright of Derby

Painter of Darkness

by Matthew Craske

The Late Works of J. M. W. Turner

The Artist and his Critics

by Sam Smiles

Making the Modern Artist

Culture, Class and Art-Educational Opportunity in Romantic Britain

by Martin Myrone

The Classical Body in Romantic Britain

by Cora Gilroy-Ware

Caspar David Friedrich

Nature and the Self

by Nina Amstutz

The Nineteenth-Century French Paintings

Volume 1, The Barbizon School

National Gallery Catalogues

by Sarah Herring

Thomas Gainsborough

The Portraits, Fancy Pictures and Copies after Old Masters

by Hugh Belsey

The Pre-Raphaelites and Science

by John Holmes

Delacroix Drawings

The Karen B. Cohen Collection

by Ashley Dunn

Contributions by Colta Ives and Marjorie Shelley