ART / Native American

Jaune Quick-to-See Smith

Memory Map

by Laura Phipps

Contributions by Neal Ambrose-Smith, Andrea Carlson, Lou Cornum, Alicia Harris, Richard William Hill, Candice Hopkins, Josie M Lopez, Larry McNeil Xhe Dhé Tee Harbor Jackson, Larissa Nez, Patricia Marroquin Norby, Lowery Stokes Sims, Jaune Quick-to-See Smith, Gail Tremblay and Elizabeth Woody

The Arts of the Ancient Americas at the Dallas Museum of Art

Edited by Michelle Rich

Lives of the Gods

Divinity in Maya Art

Edited by Joanne Pillsbury, Oswaldo Chinchilla Mazariegos and James A. Doyle

Contributions by Iyaxel Cojti Ren, Caitlin C. Earley, Stephen D. Houston and Daniel Salazar Lama

Water, Wind, Breath

Southwest Native Art in the Barnes Foundation

Edited by Lucy Fowler Williams

Contributions by Antonio Chavarria, TahNibaa Naataanii, Ken Williams, Robert Bauver and Laurie D. Webster

Art of Native America

The Charles and Valerie Diker Collection

by Gaylord Torrence

Contributions by Ned Blackhawk and Sylvia Yount

Small-Great Objects

Anni and Josef Albers in the Americas

by Jennifer Reynolds-Kaye

Contributions by Michael D. Coe

Indian Art of the Americas at the Art Institute of Chicago

by Richard F. Townsend

Contributions by Elizabeth Pope

Design for Eternity

Architectural Models from the Ancient Americas

by Joanne Pillsbury

Contributions by Patricia Joan Sarro, James A. Doyle and Juliet Wiersema

Painting a Map of Sixteenth-Century Mexico City

Land, Writing, and Native Rule

Edited by Mary Miller and Barbara E. Mundy

Shapeshifting

Transformations in Native American Art

Edited by Karen Kramer Russell

Upside Down

Arctic Realities

Edited by Edmund Carpenter

Contributions by Anne Bahnson, Ann Fienup-Riordan, Patricia Sutherland, Robert McGhee, Kirill Dneprovsky and Mikhail Bronshtein

Objects of Exchange

Social and Material Transformation on the Late Nineteenth-Century Northwest Coast

by Aaron Glass

James Swan, Cha-tic of the Northwest Coast

Drawings and Watercolors from the Franz and Kathryn Stenzel Collection

by George Miles