PHOTOGRAPHY / Criticism

Art Can Help

by Robert Adams

Yale French Studies, Number 139

Photography and the Body in Nineteenth-Century France

Yale French Studies Series

Edited by Anne E Linton and Raisa Rexer

How Photography Became Contemporary Art

Inside an Artistic Revolution from Pop to the Digital Age

by Andy Grundberg

Photography's Last Century

The Ann Tenenbaum and Thomas H. Lee Collection

by Jeff L. Rosenheim

Making a Photographer

The Early Work of Ansel Adams

by Rebecca A. Senf

Foreword by Anne Breckenridge Barrett

Winslow Homer and the Camera

Photography and the Art of Painting

by Frank H. Goodyear and Dana E. Byrd

Analog Culture

Printer's Proofs from the Schneider/Erdman Photography Lab, 1981–2001

by Jennifer Quick, Robin Kelsey, Jessica Williams, Deborah Bell, James Casebere, Robert Gober, John Schnabel, Gary Schneider, Robert G. Erdmann and Lorna Simpson

Unfamiliar Streets

The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia

by Katherine A. Bussard

The Itinerant Languages of Photography

by Eduardo Cadava and Gabriela Nouzeilles

Contributions by Joan Fontcuberta, Valeria Gonzalez, Thomas Keenan, Mauricio Lissovsky and John Mraz

Other primary creator Princeton University Art Museum

Common Ground

German Photographic Cultures across the Iron Curtain

by Sarah E. James

The Life and Death of Buildings

On Photography and Time

Contributions by Joel Smith

Exposed

Voyeurism, Surveillance, and the Camera Since 1870

by Sandra S. Phillips, Simon Baker and Richard B. Woodward

Contributions by Philip Brookman, Marta Gili and Carol Squiers

Why Photography Matters as Art as Never Before

by Michael Fried

The Meaning of Photography

Clark Studies in the Visual Arts

Edited by Robin Kelsey and Blake Stimson