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        PHOTOGRAPHY / Criticism

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        Art Can Help

        Art Can Help

        by Robert Adams

        Yale French Studies, Number 139

        Yale French Studies, Number 139

        Photography and the Body in Nineteenth-Century France

        Yale French Studies Series

        Edited by Anne E Linton and Raisa Rexer

        How Photography Became Contemporary Art

        How Photography Became Contemporary Art

        Inside an Artistic Revolution from Pop to the Digital Age

        by Andy Grundberg

        Photography’s Last Century

        Photography's Last Century

        The Ann Tenenbaum and Thomas H. Lee Collection

        by Jeff L. Rosenheim

        Making a Photographer

        Making a Photographer

        The Early Work of Ansel Adams

        by Rebecca A. Senf

        Foreword by Anne Breckenridge Barrett

        Winslow Homer and the Camera

        Winslow Homer and the Camera

        Photography and the Art of Painting

        by Frank H. Goodyear and Dana E. Byrd

        Analog Culture

        Analog Culture

        Printer's Proofs from the Schneider/Erdman Photography Lab, 1981–2001

        by Jennifer Quick, Robin Kelsey, Jessica Williams, Deborah Bell, James Casebere, Robert Gober, John Schnabel, Gary Schneider, Robert G. Erdmann and Lorna Simpson

        Unfamiliar Streets

        Unfamiliar Streets

        The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia

        by Katherine A. Bussard

        Common Ground

        Common Ground

        German Photographic Cultures across the Iron Curtain

        by Sarah E. James

        Exposed

        Exposed

        Voyeurism, Surveillance, and the Camera Since 1870

        by Sandra S. Phillips, Simon Baker and Richard B. Woodward

        Contributions by Philip Brookman, Marta Gili and Carol Squiers

        The Meaning of Photography

        The Meaning of Photography

        Clark Studies in the Visual Arts

        Edited by Robin Kelsey and Blake Stimson

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